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Why don't you come out of the pantry? Is left-handed piano music anything more than just a historical curiosity?

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Why should a pianist with both hands in perfectly working order bother to devote their time and energy to study—not to mention perform—compositions or arrangements for the left hand alone? Is there any value in exposing oneself to that obscure genre? And what if you actually have some inclination towards it, but a...
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From Schumann to Schoenberg

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Cover: Blaues Selbstportrait, 1910 by Schoenberg Breakfast was not a good idea before tackling measures seven and eight that featured sixty-fourth notes and tremolos, as well as a meter shift from 6/8 and 3/8 to 2/4, among other mind-bending directions. Is playing music meant to induce nausea?  At age ten, I took one year of piano lessons. Ado...
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March/April 2018: Pupil Saver

Got a Pupil Saver? We love to hear from you. If you are interested in submitting your Pupil Saver for consideration, please contact Susan Geffen at This email address is being protected from spambots. You need JavaScript enabled to view it.   Pikes Peak Rag by Melody Bober Sometimes, a jaunty little rag is just what students need to rejuvenate their musical juices. Melody Bober's thirty-measure early-inte...
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​​Too much of a good thing: The dangers of over-demonstrating in a piano lesson

The Piano Lesson.1871, George Goodwin Kilburne
The scope of teaching tools at the disposal of any music instructor is often as rich as the music they teach. Since the earliest days of education, there has been an ongoing evolution of what teaching is, how learning happens, what role the teacher plays in a pupil's education, and what teaching methods produce the highest degree of learning. A pri...
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Celebrating the 100th anniversary of women's suffrage

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  In March of 2017, I had a delightful experience that I thought I'd share with you, and as a result, introduce you to some exciting and marvelous music you may wish to explore further. In 1917, women were given the right to vote in New York State. Three years later, on August 18, 1920, the Nineteenth Amendment granting women the right to vote...
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DIGITAL-ONLY CONTENT: Music for the intermediate pianist by eight women composers

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Editor's note: This is a companion piece to the January/February 2018 article, "Women of exceptional  accomplishment: Eight women composers" by Teresa Rupp, found here . Anyone who thinks there is a lack of piano music by women composers from previous centuries hasn't looked too hard. Take the music of these eight composers as a great example....
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Jan/Feb 2018 Pupil Saver - Nocturne by Catherine Rollins

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Nocturne from the collection Spotlight on Romantic Style by Catherine Rollin (Alfred) is an accessible and motivating piece for the intermediate pianist. My first encounter with Rollin's music was her Concerto Romantique when I was searching for a first concerto for a piano student. I was, and continue to be, impressed with how captivating her musi...
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New music reviews: November/December 2017

(S3) From Sight to Sound: 6 Original PIano Solos, by Randall Hartsell.  Randall Hartsell composed From Sight to Sound to express the "interconnectedness of nature and our lives," and this collection contains six reflective pieces characterized by melodic simplicity and harmonic richness. The collection capitalizes on the piano's capacity for c...
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Moving from Sonatina to Sonata: Bridging the gap with Johann Wilhelm Hässler

Progressing from late-intermediate level sonatinas by Clementi and Kuhlau to early-advanced level sonatas by Mozart and Haydn can be a challenge for students. The piano repertoire does not have many well-structured eighteenth-century pieces of good musical quality by well-known composers that bridge this gap. The Six Easy Sonatas by Johann Wilhelm ...
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Pupil Saver: Set your alarm

Students are sure to make time for Kevin Olson's energetic early-intermediate piece Time's Up! (FJH). The imaginative use of changing meters and brisk tempo give this piece a delightful spontaneity and definitely make it an enjoyable introduction to asymmetrical time signatures. The A section, in 5/4 meter, uses the treble clef for both hands. Thou...
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Bumping into Brahms: A conversation about the Intermezzo, Op. 118, No. 2

JM: Oh! Sorry sir, you startled me! I almost bumped into you. But wait, I know you! Are you not Herr Doktor Brahms? Brahms : Guten Tag? Bitte, kein Doktor. I am amazed that we have somehow encountered one another here. Might it be because I have played so many of your wonderful song accompaniments and piano pieces recently? Would you possibly be wi...
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Pupil Saver: Jamaican Rumba by Arthur Benjamin

Once again, my high school student—who seems to be involved in every activity possible—needed a unique piece. I had in mind what I wanted: The piece needed to be fairly short, patterned for quick and easy learning, impressive, and infrequently played (that last requirement was more for me than for the student). I found the perfect piece, Austr...
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Winds of Change: July/August 2017

Pianists are blessed with an incredibly rich, diverse repertoire. I have thought a lot recently about how one chooses a recital program—so much to learn, so little time. Risking too much self-revelation, I will share the experience of my most recent attempt to reach an audience. Much of this column is based on the program notes I wrote for the reci...
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Book review: Piano Duet Repertoire

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First published in 1981, Cameron McGraw's useful Piano Duet Repertoire is an invaluable resource for teachers and ensemble pianists. In this second edition, duo-pianists Christopher and Katherine Fisher have updated and enlarged McGraw's volume to a book almost twice its original size. As in the first edition, the volume contains two appendices—"Co...
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New music reviews: July/August 2017

​Bastien New Traditions All-in-one Piano Course by Lisa, Lori, and Jane Bastien  James Bastien's series Bastien Piano Basics has been a beloved staple in many piano studios for decades, and now, for a new generation of students, Bastien family members Lisa, Lori, and Jane have written Bastien New Traditions All In One Piano Course . Levels Pri...
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Pupil Saver: Mendelssohn Song without words, Op. 30, No. 6

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Stress reduction at the piano It's  exciting to see a student advance after years of diligent work, but often the thought of moving on to larger works is daunting and stressful, especially for those students juggling too many activities. That big piece will never be finished, and interest wanes. One solution for student burnout is Felix Mendel...
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Enrique Granados's musical postcards

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The centennial of Enrique Granados's death in 2016 and the sesquicentennial of his birth in 2017 allow musicians an opportunity to celebrate the piano works of the Spanish author, pianist, composer, and pedagogue, who lived from 1867 to 1916. Granados is considered to be the "Father of the Modern Catalán School of Piano." After a two-year...
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The teaching of Enrique Granados

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In addition to being a great composer, Enrique Granados was also a dedicated and innovative teacher whose pedagogical approach has been explored only recently. Many of his ideas were not published during his lifetime, but rather entered into his diaries, passed on to his pupils verbally, and annotated on scores. Many of his pedagogical works were, ...
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William Gillock: A centennial retrospective

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"To provide a musically thrilling experience." --Willam Gillock, on the purpose of student piano literature ​ I often ask my piano pedagogy students to take a few moments to reflect on their motivations for being a music major. After all, studying music is challenging and time consuming, and there's no clear-cut promise of financial riches at the e...
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New Music Reviews: May/June 2017

(S3) Aurora: 5 Original Solos Inspired by the North , by Naoko Ikeda. Japanese composer Naoko Ikeda composed five lyrical character pieces based upon "the Scandanavian landscapes of [her] own imagination." Aurora has the potential to motivate intermediate students, especially those who enjoy music with lyrical phrasing and expressive timing. Ikeda ...
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About The Piano Magazine

The Piano Magazine is the leading resource for pianists, piano teachers, and piano enthusiasts. We bring you informative, interesting, and inspiring ideas on all aspects of piano teaching, learning, and performing. The official name of Clavier Companion magazine was changed to the Piano Magazine in 2019.

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