repertoire

Clavier Companion

International Perspectives: Music from Latin America (10/13/2021)

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Clavier Companion

From the Artist Bench with Andrew Cooperstock (10/12/2021)

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Asher Armstrong

Autumn 2021: Reclaiming an Alternative History: New Piano Music of Florence Price

The unconscionable neglect of one of America's greatest composers is finally encountering a slow-burn renaissance which one hopes, for all those pianists and piano teachers with progress in their sights, will become an incandescence of music-making. While those interested in the keyboard music of this composer, described by...
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Althea Waites
Dr. Armstrong's article on new piano music of Florence Price was most impressive. His comments about the pieces were informative a... Read More
Saturday, 25 September 2021 17:48
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Claudia Deltregia

Villani-Côrtes: Série Brasileira Op. 8, Preludio

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History: Background information about the composer's life, accomplishments, and any significant historical background about the piece.  Villani-Côrtes received a PhD in Music from São Paulo University. He was named Best Composer of the year by São Paulo Art Critics Association in 1990, 1995 and 1998 for Cecília Meireles Cycle, Postais Pau...
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Claudia Deltregia

Padilha: Três Vidraças Coloridas: 1. “Um sonho”, 2. “Um olhar”, 3. “Um Sorriso”

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History: Background information about the composer's life, accomplishments, and any significant historical background about the piece. Marco Padilha was born on November 21, 1955, in Campinas, São Paulo, Brazil. In Campinas, he began the study of music theory, piano and composition with pianistand composer Orlando Fagnani. He receive...
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Claudia Deltregia

Siqueira: Duas Canções Nordestinas, Song No. 1

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History: Background information about the composer's life, accomplishments, and any significant historical background about the piece. José Siqueira was born in Conceição, a small town in Paraíba State. He later moved to Rio de Janeiro as a military musician. After graduating from the National School of Music, he composed outstanding nationali...
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Clavier Companion

Questions and Answers: How to Balance Repertoire

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lyom
From now you can read Questions and Answers: How to Balance Repertoire at this site as that was what we are all in need for the re... Read More
Thursday, 15 July 2021 04:40
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Clavier Companion

Questions and Answers: How to Access Diverse Repertoire

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Oliver Tomkinson
So you've written a piece, and you want it to be as good as possible. You want the best rise of tension and the best resolution yo... Read More
Thursday, 21 October 2021 04:02
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Pamela Pike

Spring 2021: Rocherolle’s New Orleans Sketches: Teaching Tips for “Masquerade!”

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Eugénie Rocherolle has written numerous compositions inspired by the music and culture of her hometown of New Orleans. Many of these appealing pieces offer students opportunities to learn about styles of music that permeate the parades and festivals in the city while developing important technical and musical skills. Her suite, New Orleans Sketches...
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Clavier Companion

Inside the Studio with Marvin Blickenstaff

Easton is a nine-year-old student of Kairy Koshoeva. In this video, he is taking an online lesson with Marvin Blickenstaff.Music Featured: Siciliano Op. 68 no. 11 by Robert SchumannCelebration Series, Piano Repertoire Level 5 Topics: RepertoireLearning ProcessCommunication
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Paul Wyse

Winter 2021: Book Reviews: Rough Ideas: Reflections on Music and More

Rough Ideas by the British American pianist Stephen Hough is a new collection of easily readable essays on a wide range of topics from practice, performance, and repertoire, to Catholicism and spirituality. This informative and provocative tome provides a fascinating look into the mind of one of today's finest classical pia...
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Clavier Companion

Inside the Studio with Janet Hart

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Rachel Hahn

Character Conundrum: Literary Lessons for Pianists in Schumann's Kreisleriana

Robert Schumann's oeuvre owes structural and inspirational credit to the works of numerous German romantic authors. However, some aspects of his literature-inspired compositional style are more often discussed than others.1 Numerous authors have written about the highly fragmented nature of Schumann's piano cycles, including Kreisleriana,...
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Clavier Companion

Inside the Studio with Arlene Steffen

 Neisha started lessons in August 2016 and she is 9 years old. She completed CA Certificate of Merit Level 2 in February and is working primarily from Keith Snell's Piano Repertoire Level 2. She recently finished Streabbog's Pleasant Morning and Mozart's Minuet in F Major. Current repertoire includes Schumann's Wild Rider and LaTour's Sonatina...
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Martha Baker-Jordan

Beyond Debussy & Ravel: Discovering the Piano Music of Déodat de Séverac

Due to a long association with C. Leonard Coduti, a musicologist who specializes in French music, I became intrigued with his knowledge of French keyboard music "beyond Debussy and Ravel." I began exploring his many recommendations and have found myself fully entranced, fascinated, and amazed at the prolific output of so many wonderful French ...
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Catherine Kautsky

The Hidden Life of the Humble Arabesque

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In a letter of July 1910 to Jacques Durand, Claude Debussy announced that, as an artist, he was "accustomed to living among apparitions." Exactly what form those apparitions took is anybody's guess, but some may well have appeared in the form of arabesques, and not always friendly ones at that. Despite the fact that arabesques are so innocuous ...
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Patricia Melcher Bissell

Appropriate Arrangements

We are flooded today with a wide variety of musical arrangements. Through the years, I have heard Bach's Toccata in D Minor used as a video game accompaniment, Mozart's "Turkish March" in a toy cell phone, Poulton's "Aura Lee" (a.k.a. "Love Me Tender") played in a very quick tempo for a dog commercial, and Chopin and Bach melodies serving as the ba...
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Adrienne E. Wiley

Spring 2020: Pupil Saver: Caribbean Blue by Lynn Freeman Olson

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I teach in a piano camp every summer—it is the highlight of my summer and I so look forward to working with students in this setting. I have just listened to the audition of my prospective student for the camp: a boy in middle school who is playing at the intermediate level. The purpose of the audition is to assess his level of playing and sight re...
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Andrew Cooperstock

From the Artist Bench with Andrew Cooperstock

Sonata in F Minor, Op. 2 No. 1 by Ludwig van Beethoven
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Jerry Wong

From the Artist Bench with Jerry Wong

Funérailles by Franz Liszt
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Piano Magazine is the leading resource for pianists, piano teachers, and piano enthusiasts. We bring you informative, interesting, and inspiring ideas on all aspects of piano teaching, learning, and performing. The official name of Clavier Companion magazine was changed to Piano Magazine in 2019.

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