1022 Hits
0 Comments
1022 Hits
To explore more content, please use the search bar or return to the homepage.
T he skill of improvisation is often looked upon as the realm of jazz musicians. Many classical musicians would not dream of "riffing" with Beethoven or Mozart melodies. However, incorporating elements of improvisation and composition in classical pieces can provide students with an active, creative approach for learning repertoire. This "mes...
11 Hits
11 Hits
25 Hits
25 Hits
In the last two columns, we looked at the steps involved in composing and varying a basic Blues melody. The next step is to stretch the form even further by adding improvisation. Blues scales You know how it feels good to complain a little now and then? It gets your concerns off your chest and clears the air. Sometimes, yesterday's problems can eve...
26 Hits
26 Hits
There is a long tradition of teaching quality classical piano in Canada. There are also a myriad of support systems to teach theory and written scores in a variety of contemporary styles. Then there's jazz. Some teachers like it and some don't. Others don't feel knowledgeable enough to include it in their studios. For many teachers it is a big unkn...
14 Hits
14 Hits
Having addressed in the last column how to help students compose simple Blues tunes, let's now consider how to help them add on to their creations. 1. Embellish the melody Whether notated or improvised, ask your students to play their compositions a couple of times to be sure the melody is "set." If a melody is too elaborate, encourage paring it do...
4 Hits
4 Hits
9 Hits
9 Hits
Major and minor. Together these form a basic polarity in Western music. Major scales and chords are usually characterized as "happy," while minor ones are saddled with the label "sad." After composing, improvising, arranging, and teaching for more than forty years with these musical materials, I have come to a different way of understanding them. ...
58 Hits
58 Hits
4 Hits
4 Hits
22 Hits
22 Hits
Here's a riddle: What do you break to fix? Answer: bland blocked chords. Whether improvising teacher accompaniments or helping students dress up ho-hum arrangements, broken chords are a very useful trick to have in your bag. Broken chords sound great with lyrical, long-note melodies that beg for a busier accompaniment. They are also particu...
25 Hits
25 Hits
Add improvised pizzazz to the easy rhythms found in beginner tunes by asking your students to identify "dot spots." These are places where students can substitute dotted rhythms in place of quarter notes. Instead of this: Students play this: Listen and play It's not necessary for students to know how to read dotted rhythms prior to exploring their ...
19 Hits
19 Hits
Can't get started making your own music? No excuses! Use the laws of chance to prime your creative pump. In the eighteenth century, Mozart devised a game for composing minuets by assigning pre-written melodic fragments to the numbers on dice. Here's a similar activity you can use to prompt creativity in your studio. 1. Rhythm a. Easy waltz rh...
21 Hits
21 Hits
Many music theory textbooks illustrate melodies that often consist, in part, of chord tones—the notes that match an underlying harmonic progression. An example of this may be seen below, in the folk song Black is the Color of My True Love's Hair . The first three pitches, above the words "Black, black, black," are chord tones outlining a D mi...
13 Hits
13 Hits
Today's jazz pianists learn to play within many different contexts. They might find themselves in a big band, a combo, or by themselves as keyboard soloists. As soloists, they must supply the harmony, rhythm, and melody while only being given a lead sheet version of a song as a guide. At the professional level, this skill can be quite complex. How...
23 Hits
23 Hits
One thing that has always drawn me to jazz is the harmony. It is fascinating to hear how a single chord change can define one artist's interpretation of Autumn Leaves or Night and Day from another artist's interpretation. Applied judiciously, these harmonic variations will add touches of color to your own arranging and performing. When one chord is...
20 Hits
20 Hits
An important aspect of rhythm (in any style of music) is the alternation of accented and unaccented musical elements. When the accented elements differ from what is expected, we have syncopation , an essential part of jazz. This article will examine two kinds of syncopation first outlined by Winthrop Sargeant in his pioneering 1938 work Jazz: Hot a...
14 Hits
14 Hits
For teachers brave enough to ask students to perform their first improvisations, the excuses are all too familiar: "I don't know what notes to play", "I don't feel the rhythm", "It's too hard", and--eventually--just plain "I can't do it". There are many factors preventing students from at least trying to make something up, among them...
27 Hits
27 Hits
When I was about twelve years of age, my parents took me to a restaurant that featured a live jazz trio. I was amazed to see the pianist playing without written music. Unaware of the awkwardness I might cause by interrupting a performing musician, I approached the stage and asked him how he did it. His succinct reply changed my life. Without missi...
44 Hits
44 Hits
For centuries, improvising introductions to keyboard works, also known as preluding, helped inspire musicians and prepare audiences for what was to come. (The German verb präludieren and the French verb preluder can simply mean "to improvise.") Preluding had practical functions as well, allowing performers to warm up, test tuning, or adapt to unf...
24 Hits
24 Hits