Beethoven: Sonatina in G Major

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Preparation and Presentation Context: Pieces that are helpful to have experienced or played before approaching this one Students should be playing the earliest selections of original piano works.Sonatinas by Lynes, Attwood, Latour, and other selections in any level 1 and 2 Sonatina books.Method book pieces introducing Alberti bass (approx. level 3)...
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From the Artist Bench with Andrew Cooperstock

Sonata in F Minor, Op. 2 No. 1 by Ludwig van Beethoven
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The Beethoven Piano Sonatas: Frequently Asked Questions

As the 250th anniversary of the birth of Ludwig van Beethoven (1770-1827) approaches, it is a good time to get in the celebratory spirit by answering some FAQs. A warning, though: behind every seemingly straightforward answer, there are always more questions! 1. What editions should I use?  Simple answer: There are excellent Urtext editions av...
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April 26

Beethoven
1783 - at 13 years old, Beethoven is appointed keyboard performer at court orchestra in Bonn.
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December 18

1795 Premiere of Beethoven's Piano Concerto No. 1 in Vienna It was dedicated to his pupil Princess Anna Louise Barbara Odescalchi (née Countess von Keglevics).
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Since I am a fan of the premiere of Beethoven's Piano, I participated in that concert. One must get best assignment service for he... Read More
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November 28

1811 - Premiere of Beethoven's "Emperor" Piano Concerto No. 5 in Leipzig with the Gewandhaus Orchestra. Johann Philip Christian Schultz conducting, Friedrich Schneider, soloist. 
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Keyboard Kids' Companion: November/December 2017

Famous WorksFür Elise youtu.be/VL6HTVdzxAASymphony No. 3 youtu.be/InxT4S6wQf4"Moonlight" Sonata youtu.be/yuC1Avo4DeISymphony No. 5 youtu.be/FCbkaSFLf-4Symphony No. 9 youtu.be/rOjHhS5MtvA Meet the Composers: Ludwig van Beethoven Ludwig van Beethoven was born in Bonn, Germany, on December 6, 1770. His family background was Dutch; the name Beethoven m...
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Poetry Corner: Nov/Dec 2017

Beethoven: Sonata No. 14 ​for Roma You were at the piano playing the "Moonlight," A name Rellstab gave it when he heard The Adagio, and remembered moonlight Flecking the waves of Lake Lucerne. But this was afternoon, in Boston, The sun lighting up your apartment Like a flare, your fingers laboring Against a dead middle-C, and an A Which twanged in ...
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Recording Beethoven’s Piano Sonatas in the 21st Century: An Interview with Steinway Pianist James Brawn

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The great pianist and conductor Hans von Bülow once called Beethoven's 32 piano sonatas the New Testament of music. This bold declaration foreshadowed the lofty status Beethoven's Testament now holds in the Western canon of classical music. It also set the stage for an impressive lineage of recordings, beginning with the first-ever complete cycle by Artur Schnabel—the celebrated Austrian pianist known to Harold C. Schonberg as "the man who invented Beethoven." Among those who followed in Schnabel's footsteps are some of the greatest pianists of the 20th and 21st centuries—Claudio Arrau, Vladimir Ashkenazy, Wilhelm Backhaus, Daniel Barenboim, Alfred Brendel, Annie Fischer, and the list goes on—and so it comes as no surprise that many pianists today treat this massive undertaking as a right of passage.

In one sense, however, it's also dangerous to enter the company of such esteemed colleagues. How does one "compete"? What new can be "said" of music that has been a staple of the repertoire for so long? These are some of the questions facing Steinway Artist James Brawn as he continues his Odyssey—now half finished—to record von Bülow's New Testament.


Your project invokes a monumental legacy of inspired Beethoven interpreters. Do you feel the weight of history on your shoulders?

While it is true there is a great historical legacy of recordings, the only pressure I feel personally is to do these piano sonatas justice and play them as faithfully as I am able. The works of the great composers, like Beethoven, are such a privilege to study and perform, and I feel very lucky to have the opportunity to record this cycle for MSR Classics.


As an artist, do you draw on the work of those who came before you? Or are you a lone wanderer?

Perhaps I'm more of a lone wanderer, in the sense I've always done my own thing and in my own time. Certainly when I was a student—until my early twenties—I was influenced by my teachers, as well as recordings and performances by great living pianists. So at that time, there was always someone looking over my shoulder, so to speak. But for the last twenty years I've managed to focus on music that I can't live without. The Beethoven sonatas have become extremely important to my being, and communicating this personal passion in recital, recording, and teaching is the inevitable outcome.

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Thank you so much for the new skills. I can not imagine life without music and gambling. Music for me it is like magic and gamblin... Read More
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The day of the thirty-two: Stewart Goodyear performs a Beethoven marathon

I recently endured something that probably no human should attempt. ​I heard, on Saturday, October 5, 2013, in Davis, California, at the University of California, Stewart Goodyear perform ALL of Beethoven's thirty-two piano sonatas IN ONE DAY. Since this was Mr. Goodyear's fourth reading of the "New Testament"—he had already performed thi...
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Beethoven goes to Hollywood (and takes a few friends along)

Beethoven goes to Hollywood (and takes a few friends along)
As a faculty member at the East Carolina University School of Music, I frequently taught our Piano Literature sequence. The last time I led these classes, I decided to add a new component to the second-semester schedule: films about pianist-composers. Hollywood through the years has found the artistic life irresistible, and there are quite a f...
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A Place in the Sun: Recent Editions of Beethoven's Piano Sonatas

A Place in the Sun: Recent Editions of Beethoven's Piano Sonatas
The central position of Beethoven's piano sonatas in our musical life remains secure, to judge from the flood of new editions of these pieces to emerge in recent years. Students and teachers of these indispensable works are confronted by choices, but there are no easy solutions, as the following comparison shows. For the purposes of this review I h...
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A master class on three favorite Beethoven sonata movements

The thirty-two sonatas of Beethoven are often cited as the pianists' New Testament, with Johann Sebastian Bach's Well-Tempered Clavier being the Old Testament. These treasured works are a staple in piano teaching studios throughout the world, and are also required repertoire in the most demanding international piano competitions. A sonata or fugue ...
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Opus 111: A revelation

No one questions that Beethoven's controversial choices in his work are appreciated as groundbreaking. But nearly anyone would question a choice made by a young pianist to deviate from instructions printed in Urtext scores. As a young student, celebrated pianist and best-selling author Seymour Bernstein made that conscious choice in a passage of Be...
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What do Beethoven's piano sonatas reveal about his pianism?

from the series: Let's Get Physical: Technique  Scott McBride Smith, Editor  Hans von Bülow, the nineteenth-century pianist, conductor, and master class teacher won fame for his meticulous musicianship and formidable technique. His sarcastic bon mots to students were legendary. "You have but one qualification for playing th...
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A Fond Farewell (Für Elise)

Marvin Blickenstaff, Editor from the series: Putting It All Together: Repertoire  One of the favorite photos I have hanging in my study is a shot of the original staff of Keyboard Companion. Pictured there is founding editor Richard Chronister and his dear wife Marjore, Elvina Pearce, Brenda Dillon, Cathy Albergo and husband Frank, S...
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