Clavier Companion - Content for Everyone

Clavier Companion - Content for Everyone

Pamela Pike

NCKP 2021: Preconference Sneak Peek

The National Conference on Keyboard Pedagogy invites you to attend thirteen stimulating days of preconference sessions that are guaranteed to reenergize your teaching! The conference is taking full advantage of the virtual platform, giving each preconference track its own day and allowing you to immerse yourself in each topic. The following preconf...
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Clavier Companion

Spring 2021 Flipbook

Spring 2021 Flipbook
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Spring 2021 Flipbook
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Penny Lazarus

Winter 2021: Becoming Weavers: Piano Students and Their Commissioned Arrangements of Music by Under-Represented Women Composers

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Weave: The Social Fabric Project is an Aspen Institute initiative that seeks to celebrate people who work to heal divisions in our society. David Brooks, the director of Weave, describes the movement:  "Weavers are repairing our country's social fabric, which is badly frayed by distrust, division and exclusion. People are quietly wor...
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commissions under-represented composers women composers Penny Lazarus
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Sarah
I think that investigation of women composers must be really interesting for students, I'd be glad if we had such great activities... Read More
Friday, 14 May 2021 17:48
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Steve Betts

A legacy of excellence: An interview with John and Nancy Weems

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Through their teaching, John and Nancy Weems have instilled in their students a love for music and a commitment to artistic pianism. In addition to a long-standing record of top awards in local, district, and state Texas Music Teachers Association competitions, John has taught winners of the National MTNA Baldwin Junior Achievement Award, the Natio...
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interviews teacher profiles John Weems Nancy Weems auditions Kenneth Broberg
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Helen Smith Tarchalski

An interview with Nelita True

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Nelita True made her debut at age seventeen with the Chicago Symphony in Orchestra Hall; her New York debut was with the Juilliard Orchestra in Avery Fisher Hall. Since then, her career has taken her to major cities throughout the world performing, presenting master classes, and serving on the juries for international piano competitions.  The ...
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Helen Smith Tarchalski

An Interview with Nelita True: Part II

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In the March/April issue, Nelita True, one of the world's great artist-teachers, discussed her childhood and teen years as a piano student and her evolution as a teacher. She also described the contributions of her major influences: Helen Titus, Leon Fleisher, Fernando Laires, Nadia Boulanger, and Sascha Gorodnitzky. P...
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interviews Counterpoint (Column) Helen Smith Tarchalski Nelita True
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Todd Van Kekerix

Summer 2020: New Music & Materials

Emilie Lin has arranged five traditional melodies in her publication Hearts of Asia: Chinese Folk Songs, published by FJH. The first four pieces have lovely, cantabile melodies which are divided between the hands. They also have simple, beautifully written duet parts which could be played by a teacher, parent, or student at the early-intermediate l...
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Emilie Lin reviews music reviews Stewart Gordon Meg Gray Jacob Fitzpatrick Melody Bober Carmen Doubrava Jeremy Siskind Jason Sifford Ernest Kramer Evgeny Kissin John Adams duets José Serebrier review
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Edward Bulwer Lytton once said “Music, once admitted to the soul, becomes a sort of spirit, and never dies.”, if you are looking f... Read More
Friday, 02 April 2021 08:38
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Nicholas Phillips

Autumn 2020: Recordings

Frederic Chopin's music is among the most performed and oft-recorded of its genre. This presents an interesting challenge for modern pianists: how might one approach the music of a composer whose performance traditions are so well-established? Here, Viv McLean invites us to explore the complex and sometimes competing facets of Chopin's musical...
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Nicholas Phillips

Spring 2020: Recordings

Tan, a longtime friend and collaborator of George Crumb, introduces Book 1 of Crumb's first large-scale work since his monumental Makrokosmos, composed forty years ago. Based on paintings by a variety of twentieth-century artists, these ten works translate visual art into sound with Crumb's signature extended effects and musical quotations. "Wheatf...
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recordings Spring 2020 Imogen Cooper Roberta Rust Alma Deutscher Jens Luhr Francesco Piemontesi Margaret Leng Tan Nicholas Phillips Charisse Baldoria Sang Woo Kang Wei Chen Bruce Lin Thomas Swenson Choong-ha Nam George Crumb Friedrich Kuhlau review
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Nicholas Phillips

Winter 2020: Recordings

ROMANCE:THE PIANO MUSIC OF CLARA SCHUMANNIsata Kanneh-Mason, pianoDecca[Total Time 76:00]www.deccaclassics.com Contributing to this year's bicentennial celebration of Clara Schumann's birth is the debut album of the twenty-three-year-old British pianist Isata Kanneh-Mason. In 2015, while a student at the Royal Academy of Music, Kanneh-Mason, a...
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recording reviews reviews Clara Wieck Schumann Isata Kanneh-Mason Theodore Antoniou Konstantinos Destounis Geoffrey Burleson Reed Tezloff Kristín Jónína Taylor Cahill Smith Nikolai Medtner Thomas Swenson Choong-ha Nam review
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Nicholas Phillips

Autumn 2019: Recordings

FARRENC: VARIATIONS FOR PIANOBiliana Tzinlikova, pianoPaladino Music PMR 0088[Total Time: 53:02]www.paladino.at This is a significant new recording of Louise Farrenc's piano works. The program consists of four sets of variations, all written in the 1830s, including Air russe varié (on the composer's own theme), one on the cavatina "Nel veder l...
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reviews recording reviews Biliana Tzinlikova Louise Farrenc Nadia Shpachenko Cécile Chaminade Mark Viner Charisse Baldoria Kristín Jónína Taylor Geoffrey Burleson Sara Feigin Benjamin Goodwin Thomas Swenson Tatiana Chernichka Stephen Pierce Lara Downes Nicholas Phillips review
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Nicholas Phillips

Summer 2019: Recordings

D'Albert was a prized student of Liszt and his piano transcriptions of Bach's organ works bear the influence of his master. Unlike some transcribers, who sought to glorify Bach by embellishing his works in grandeur, both Liszt and d'Albert stayed largely reverent to the original works. One exception here is d'Albert's version of the Passacaglia and...
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reviews recording reviews Eugen d'Albert Stephen Pierce Emanuele Delucchi George Antheil Judy Pang Geoffrey Burleson Michael Korstick Dmitri Kabalevsky Thomas Swenson Benjamin Engeli Wei Chen (Bruce) Lin Joyce Yang piano quartets chamber music Choong-ha Nam review
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Nicholas Phillips

Spring 2019: Recordings

The two leading piano manufacturers in Paris during Chopin's lifetime were Érard and Pleyel. Chopin preferred Pleyel's instruments, praising what he heard as a more compelling cantabile, and subtler tonal palette. The 1847 Pleyel here possesses remarkable clarity, due in part to its quick decay time. Rutkowski's prowess with convincing agogic expr...
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recording reviews Hubert Rutkowski Geoffrey Burleson historical instruments Jan Ladislav Dussek Bart van Oort Thomas Swenson piano trios David Hyun-su Kim fortepiano harpsichord Wolfgang Rübsam Tami Morse Tom Beghin Andrew Willis Sezi Seskir David Breitman Maggie Cole historical performance review
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Suzanne Schons

Autumn 2020: New Music and Materials

(S3) SAPLINGS: 21 INTERMEDIATE PIANO SOLOS published by Red Leaf Pianoworks  While presenting at and attending the Canadian Music Teachers Conference last summer in Winnipeg, I was introduced to a new collection hot off the press called Saplings. This collection is written with the intermediate pianist in mind and features eleven Canadian...
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reviews music reviews Meg Gray Mitch Grussing Suzanne Schons Adrienne Wiley review
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Suzanne Schons

Spring 2020: New Music & Materials

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Dennis Alexander's Concertino for the Young is an attractive and engaging solo with piano accompaniment that closely mimics classical concerto style. This work, accessible for a later-elementary piano student, is written in typical concerto form with fast first and third movements and a slow second movement. Traditional concerto elements also inclu...
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New Music and Materials Suzanne Schons Carmen Doubrava Ann DuHamel Jacob Fitzpatrick Meg Gray Adrienne Wiley book reviews Dennis Alexander Timothy Brown Wynn-Anne Rossi Carolyn Miller Nikolai Kapustin review
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Suzanne Schons

Winter 2020: New Music & Materials Reviews

(S4) TOCCATA "HYGAGAN," OPUS 229by Dianne Goolkasian Rahbee From the FJH Contemporary Keyboard Sheets, Toccata "Hygagan" by Dianne Goolkasian Rahbee is an engaging and virtuosic late-intermediate piano solo.Born in Massachusetts, Rahbee is a first-generation Armenian American. She was a piano major at Juilliard, and a self-taught composer who ...
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reviews music reviews Dianne Goolkasian Rahbee Carmen Doubrava Sara Ernst Ann DuHamel E.L. Lancaster Kenon D. Renfrow Melody Bober Adrienne Wiley Johannes Brahms J.S. Bach Idil Biret Nima Farahmand Bafi Aram Khachaturian review
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Ernest J. Kramer
Where is the Beethoven review I submitted that was supposed to appear in this issue?
Friday, 11 December 2020 13:00
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Suzanne Schons

Autumn 2019: New Music & Materials

(S4-5) PIANO PIECES by Otilie Suková Very little is known about the composer Otilie Suková (1878–1905), yet a great deal is known about her famous father, Antonín Dvorák. Nonetheless, Bärenreiter Urtext has presented pianists with a gem: a collection of four short piano pieces by this relatively unknown composer. The p...
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reviews music reviews Otilie Suková Jacob Fitzpatrick Piano Safari Katherine Fisher Julie Knerr Meg Gray Carol Matz Adrienne Wiley Keys to Imagination games review
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Suzanne Schons

Summer 2019: New Music and Materials

(S2) Bastien New Traditions All In One Piano Course, 2B, 3A, 3B, by Lisa, Lori, and Jane Bastien. In a grand family tradition, these materials continue the recently published Bastien New Traditions All In One Piano Course by Lisa, Lori, and Jane Bastien. As with the first five levels in the new series (Primer A through 2A), Lessons, Theory, Techniq...
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Meg Gray Bastien New Traditions Jane Bastien Lisa Bastien Lori Bastien reviews method reviews music reviews pop music arrangements Adrienne Wiley Philip Keveren Carmen Doubrava Eugénie Rocherolle The Beatles review
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Nancy Bachus

Clara Schumann: Role Model for the 21st Century

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Clara Josephine Wieck was born two hundred years ago on September 13, 1819, in the German city of Leipzig. Her father Friedrich chose the name Clara, which meant bright, shining, or famous, and from her birth was determined to turn her into a piano virtuoso. By age eleven, she was touring Europe as a concert pianist, often playing her own compositi...
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Clara Wieck Schumann Nancy Bachus historical pianists women composers Robert Schumann biographies history
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Roxanne Bok

From Schumann to Schoenberg

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Cover: Blaues Selbstportrait, 1910 by Schoenberg Breakfast was not a good idea before tackling measures seven and eight that featured sixty-fourth notes and tremolos, as well as a meter shift from 6/8 and 3/8 to 2/4, among other mind-bending directions. Is playing music meant to induce nausea?  At age ten, I took one year of piano lessons. Ado...
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Robert Schumann repertoire Arnold Schoenberg advanced repertoire Roxanne Bok
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Rhonda Blinne
Interesting article...demonstrating that “age” need NOT be a deterrent is starting (or resuming) music making!
Thursday, 27 August 2020 10:09
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